Musique concrete composition based on field recordings made during the last 3 years of russian full-scale invasion.
Noam Chomsky-inspired algorithmic composition depicting the journey from simpler to more complex forms.
It's all about small voices. They might be unnoticeable alone. But once they are combined they form a landscape. It's the blending of small particles that forms a great picture and tiny details in a great picture that are worth noticing.
From a technical point of view, this album is various sound textures manipulated by russian casualties figures. From a musical point of view, it's the haunting experience of the first days of russian full-scale invasion.
Tiny particles. Random situations. Unexpected stimuli. Combined into artwork distilling from not enough into too much.
I've programmatically messed with the frames in recordings of both high-profile war criminals and ordinary war-enablers until their real ugly voices were revealed.
Once I've programmed "Fractions" the next thing I've tried is to apply them to all aspects of music (tone, timbre etc). Eventually I've got a pallete of various sounds. Heavylly influenced by shortwave radiostation aestethics, I've blended them with guitar and some of my poetry.
As a kid I was always mesmerized by stories about Pythagoreans which used mathematics to describe all sorts of things. So naturally when I got to Supercollider the first thing I've attempted to do is try to transform numbers into music.